Uncut (UK) Abo

Ausgabe 011/2026
Aktuelle Ausgabe

THE IRISH ROVER
When SHANE MacGOWAN died, Ireland came to a standstill. Now, as Bruce Springsteen and Tom Waits head up an all-star cast of musicians recording his songs for an ambitious new tribute album, we hear tales of Ireland’s great punk poet – from London’s underground scene to the byroads of Tipperary, high-end hotel lobbies and scruffy pubs. “His music was very cinematic and so was his life,” learns Peter Watts. “It was all part of his constant wave of energy.”

A FABULOUS CREATION
How do you follow one of the greatest debuts of all time? Such was the question facing ROXY MUSIC at the dawn of 1973, as they prepared to cut their second classic, For Your Pleasure. With a sumptuous new boxset digging deep into the album and the period, BRYAN FERRY looks back over a time of punishing tours, last-minute writing, countryside exile, new studios, greasy spoons, taking tea with Salvador Dalí… and the departure of Brian Eno. “I thought, ‘This is the masterwork, this is it. What can I do after this?’” he confesses to Damien Love.

Ausgabe 010/2026

AND WE COULD DANCE
The tragedy of Ian Curtis continues to cast a long shadow over JOY DIVISION’s legacy. Yet alongside it lies another story: of a group that was intense, hypnotic, physical and utterly transformative on stage. As a new boxset gathers the best surviving live recordings, we ask band members, confidants and fans to revisit 10 nights that shaped their remarkable rise, painting a shadow history that runs counter to the established myths.

THE SEEKER
Commercially adrift but creatively fearless, VAN MORRISON spent the 1980s pursuing enlightenment through song. Forty years on from No Guru, No Method, No Teacher, his closest collaborators look back on a remarkable period of inner searching, mystical inquiry and inspired music-making. “You knew there was something happening,” one collaborator tells Nick Hasted. “If you looked at him you could see this shimmering.”

In Ausgabe 010/2026 von Uncut (UK)

Ausgabe 009/2026

BLACK MATH
Analogue obsessions. Basement recordings. Sharp left turns. For three decades, JACK WHITE has been finding compelling new ways to expand his musical vision, taking rock and roots traditions and twisting them into new shapes. Now friends, bandmates and co-conspirators trace the stories behind his greatest records, from the primal thump of The White Stripes to the ram-a-lam hard rock of Frozen Charlotte.

MOVE ON UP
In 2018, ALABAMA SHAKES were at the height of their powers – and then they walked away. Now, nearly a decade on, Uncut meets the reunited band in rural Tennessee as they unveil a bold, shape-shifting new album – and navigate a second act rooted in healing, community and creative rebirth. “Band stories don’t have to follow that same old storyline,” hears Stephen Deusner.

In Ausgabe 009/2026 von Uncut (UK)

Ausgabe 008/2026


In Ausgabe 008/2026 von Uncut (UK)

Ausgabe 007/2026

CAN’T BE SATISFIED
After the re-energising spark of Hackney Diamonds, what’s next for Dartford’s finest upstarts, THE ROLLING STONES? How about Foreign Tongues – a rough and rowdy record of dystopian dramas, honky-tonk love songs and blues stompers, shot through with the mood of the times. In all-new interviews, MICK JAGGER, KEITH RICHARDS and RONNIE WOOD talk antiheroes, alter egos and the strange continuity that still binds the band together.

MIDNIGHT RIDER
From Florida roadhouses to the Fillmore East, the legend of GREGG ALLMAN endures. Now, with a new documentary imminent, friends and collaborators look beyond the trauma, excess and hard-won redemption to reveal the complicated truth about a Southern rock pioneer. “People see Gregg as a super-talented singer and musician,” his former manager tells Rob Hughes. “But I don’t think they realise the depth of who he was.”

In Ausgabe 007/2026 von Uncut (UK)

Ausgabe 006/2026


In Ausgabe 006/2026 von Uncut (UK)

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In Ausgabe 005/2026 von Uncut (UK)

Ausgabe 003/2026


In Ausgabe 003/2026 von Uncut (UK)

Ausgabe 002/2026


In Ausgabe 002/2026 von Uncut (UK)

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In Ausgabe 001/2026 von Uncut (UK)

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In Ausgabe 011/2025 von Uncut (UK)

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Das englischsprachige Magazin Uncut kommt aus London und beschäftigt sich seit 1997 mit Rezensionen der wichtigsten neuen Songs und Platten: Jeden Monat ca. 130 Rezensionen geben einen ausführlichen Überblick über die Musikszene, mit einem leichten Focus auf Americana Rock und Alternative Country. Und damit es nicht bei der grauen Theorie bleibt, kommt jede Ausgabe des Magazins mit einer CD ins Haus.
Neben den Neuerscheinungen befassen sich die Rezensionen auch mit Neuauflagen, Klassikern, Film und DVD. In ausführlichen Interviews kommen die größten Musiker der letzten 50 Jahre zu Wort, die Künstler von morgen. Das perfekte Musikmagazin, um immer up to date zu sein.
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Ausgabe
011/2026
Aktuelle Ausgabe

THE IRISH ROVER
When SHANE MacGOWAN died, Ireland came to a standstill. Now, as Bruce Springsteen and Tom Waits head up an all-star cast of musicians recording his songs for an ambitious new tribute album, we hear tales of Ireland’s great punk poet – from London’s underground scene to the byroads of Tipperary, high-end hotel lobbies and scruffy pubs. “His music was very cinematic and so was his life,” learns Peter Watts. “It was all part of his constant wave of energy.”

A FABULOUS CREATION
How do you follow one of the greatest debuts of all time? Such was the question facing ROXY MUSIC at the dawn of 1973, as they prepared to cut their second classic, For Your Pleasure. With a sumptuous new boxset digging deep into the album and the period, BRYAN FERRY looks back over a time of punishing tours, last-minute writing, countryside exile, new studios, greasy spoons, taking tea with Salvador Dalí… and the departure of Brian Eno. “I thought, ‘This is the masterwork, this is it. What can I do after this?’” he confesses to Damien Love.

Ausgabe
010/2026

AND WE COULD DANCE
The tragedy of Ian Curtis continues to cast a long shadow over JOY DIVISION’s legacy. Yet alongside it lies another story: of a group that was intense, hypnotic, physical and utterly transformative on stage. As a new boxset gathers the best surviving live recordings, we ask band members, confidants and fans to revisit 10 nights that shaped their remarkable rise, painting a shadow history that runs counter to the established myths.

THE SEEKER
Commercially adrift but creatively fearless, VAN MORRISON spent the 1980s pursuing enlightenment through song. Forty years on from No Guru, No Method, No Teacher, his closest collaborators look back on a remarkable period of inner searching, mystical inquiry and inspired music-making. “You knew there was something happening,” one collaborator tells Nick Hasted. “If you looked at him you could see this shimmering.”

Inhaltsverzeichnis
Ausgabe
009/2026

BLACK MATH
Analogue obsessions. Basement recordings. Sharp left turns. For three decades, JACK WHITE has been finding compelling new ways to expand his musical vision, taking rock and roots traditions and twisting them into new shapes. Now friends, bandmates and co-conspirators trace the stories behind his greatest records, from the primal thump of The White Stripes to the ram-a-lam hard rock of Frozen Charlotte.

MOVE ON UP
In 2018, ALABAMA SHAKES were at the height of their powers – and then they walked away. Now, nearly a decade on, Uncut meets the reunited band in rural Tennessee as they unveil a bold, shape-shifting new album – and navigate a second act rooted in healing, community and creative rebirth. “Band stories don’t have to follow that same old storyline,” hears Stephen Deusner.

Inhaltsverzeichnis
Ausgabe
008/2026


Inhaltsverzeichnis
Ausgabe
007/2026

CAN’T BE SATISFIED
After the re-energising spark of Hackney Diamonds, what’s next for Dartford’s finest upstarts, THE ROLLING STONES? How about Foreign Tongues – a rough and rowdy record of dystopian dramas, honky-tonk love songs and blues stompers, shot through with the mood of the times. In all-new interviews, MICK JAGGER, KEITH RICHARDS and RONNIE WOOD talk antiheroes, alter egos and the strange continuity that still binds the band together.

MIDNIGHT RIDER
From Florida roadhouses to the Fillmore East, the legend of GREGG ALLMAN endures. Now, with a new documentary imminent, friends and collaborators look beyond the trauma, excess and hard-won redemption to reveal the complicated truth about a Southern rock pioneer. “People see Gregg as a super-talented singer and musician,” his former manager tells Rob Hughes. “But I don’t think they realise the depth of who he was.”

Inhaltsverzeichnis
Ausgabe
006/2026


Inhaltsverzeichnis
Ausgabe
005/2026


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003/2026


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002/2026


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001/2026


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013/2025


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012/2025


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011/2025


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Porträt von Uncut (UK)

Das englischsprachige Magazin Uncut kommt aus London und beschäftigt sich seit 1997 mit Rezensionen der wichtigsten neuen Songs und Platten: Jeden Monat ca. 130 Rezensionen geben einen ausführlichen Überblick über die Musikszene, mit einem leichten Focus auf Americana Rock und Alternative Country. Und damit es nicht bei der grauen Theorie bleibt, kommt jede Ausgabe des Magazins mit einer CD ins Haus.
Neben den Neuerscheinungen befassen sich die Rezensionen auch mit Neuauflagen, Klassikern, Film und DVD. In ausführlichen Interviews kommen die größten Musiker der letzten 50 Jahre zu Wort, die Künstler von morgen. Das perfekte Musikmagazin, um immer up to date zu sein.
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In der aktuellen Ausgabe von Uncut (UK)

  • Tracks and traces
    In 1974, Ellen Ziffren was an eyewitness – and an inspiration – while Bob Dylan wrote Blood On The Tracks. The early lyric drafts she saved shed new light on the songs
  • Golden Felice
    Americana heroes The Felice Brothers celebrate their 20th year by venturing into new terrain
  • Last ride
    As they reach the end of the road, Cabaret Voltaire reflect on half a century of mixing “pop culture with extreme brutalism”
  • Way to glue
    This month: classic UK gig posters from Omega Auctions’ Lindsay Brown Collection
  • “Alice is my favourite rock star”
    Where does Vincent Furnier end and Alice Cooper begin? After six decades of non-stop schlock rock, the man himself still isn’t sure
  • Ken Pomeroy
    Cherokee country-folk singer writing songs “to make people feel less alone”
  • ON THIS MONTH’S CD
    UNCUT and OPAL RECORDS present…
  • KENNEY JONES
    The Small Faces drummer on East End pubs, piloting helicopters, going “a bit nuts” with The Who… and new Faces material
  • AN AUDIENCE WITH… TONY IOMMI
    The Godfather of Heavy Metal on Brummie camaraderie, Black Sabbath’s legacy and how not to ward off a ghost
  • SYLVIE
    The vintage sounds of California reanimated with a Nashville twist.
  • PAST SEASONS
    Three releases touched by the hand of Schwab
  • Q&A
    Ben Schwab: “I’m a traditionalist”
  • QUEENS OF THE STONE AGE
    Josh Homme and co seek connection on their gleaming ninth LP.
  • KACY LEE ANDERSON
    Fabulously unfettered solo debut from Kacy & Clayton co-founder.
  • FONTAINES DC
    Commanding, synth-maxxed fifth from the unstoppable quintet.
  • SAM BURTON
    Quietly spectacular third from LA-based Palestinian-American
  • SCOTT FAGAN
    “They saw us as the barbarians at the gate”
  • THE OLIVIA TREMOR CONTROL
    A last, glorious masterpiece from America’s psych-pop pioneers.
  • THE BEATLES
    What goes on! The Fabs’ revelatory sixth remixed, with added treasures.
  • STRAWBERRY GUY
    Alex Stephens on the emotional rewards of a Texan sonic upgrade
  • BILL WITHERS
    Revisiting the heyday of soul music’s everyman.
  • SPLIT THE BILL
    The best of the rest of Bill Withers
  • TOM PETTY & THE HEARTBREAKERS
    Monument to the Heartbreakers’ long trudge to overnight success.
  • THE WHO
    The Who’s difficult seventh LP reappraised with demos, live tracks and unreleased material.
  • THE QUEEN OF COUNTRY
    From a one-room cabin in East Tennessee to global superstardom, DOLLY PARTON built an empire on talent, humour, compassion and reinvention. Alastair McKay celebrates the remarkable life of an American original.
  • INTO THE IMPOSSIBLE
    BRIAN ENO has, after a 35-year hiatus, decided to relaunch his fabled record label, Opal. But, as Tom Pinnock discovers, rock’s premier oblique strategist has a lot more on his mind. To be discussed: Popin’ Pete and the Electric Boogaloos, Gregor Mendel’s work on genetics, the banned third verse of “Deutschland Über Alles”, cabin fever with John Cale and the 13,000 unreleased ideas Eno currently has on his Mac. “I’m very good at getting things going. But finishing something…”
  • “WELL, I LIKE TO BE DIFFERENT…”
    Almost 60 years into his career, RICHARD THOMPSON has splashed the cash to make his “last ever album”… although plans may have changed. Full of the joys of London, he invites Uncut into his Hampstead home to discuss burglaries, brass bands and “Indian hemp”, show off a holy relic of folk rock and explain just how he’s kept his integrity. “I’m glad I never succumbed to pressure,” he tells Tom Pinnock. “‘Can’t you make records that sound like the Eagles?’”
  • SCENE & HEARD
    Eno explains how he chronicled New York’s No Wave sound
  • HOW TO BUY PRECIOUS GEMS
    Eight albums to kick off your Opal collection
  • SOUL MINING
    As singer and multi-instrumentalist with Dublin four-piece Lankum, RADIE PEAT has spent years wrangling folk music into expansive new territory. Finally, though, she is releasing a longgestating solo album, No Human Tongue Can Tell. What emerges is a portrait of an artist every bit as adventurous, uncompromising and emotionally direct as her celebrated band. “I’m trying to channel my life experiences and what it’s felt like to live as me,” she tells Sam Richards.
  • COME DIG MY RAVES!
    How to buy Radie Peat
  • “Sir Duke” by Stevie Wonder
    With creative freedom assured, and a band in full swing, Stevie tops the charts with his tribute to the jazz greats
  • Butthole Surfers
    Tracing two decades of the Texan band’s bizarre psych-punk output: “We had no constraints”
  • BLACK MAGIC
    Twenty years ago, Back To Black made AMY WINEHOUSE a global phenomenon, exposing her to a level of hysteria not seen since Beatlemania. Now, those closest to her recall the jazz obsessive and gifted songwriter behind the headlines: a determined and unfiltered soul who channelled heartbreak, humour and hard-won experience into songs of startling honesty. “She wasn’t afraid to give both barrels,” one eyewitness tells John Lewis. “There was an air of: don’t fuck with me.”
  • Hawkwind
    Strap yourself in as the band’s founding member and others fly to the other side of the sky via one of the most interstellar discographies in rock
  • “THERE WAS SOMETHING OF BOB DYLAN ABOUT HER PLAYING”
    Before fame made her a star, Amy Winehouse saw herself as a songwriter with a guitar in her hands
  • “IT’S A MUCH MORE VULNERABLE AMY”
    Photographer Mischa Richter recalls the making of the Back To Black cover
  • Songs From Northern Britain
    From a makeshift studio in the Glasgow suburbs to the windswept landscapes of the Outer Hebrides, TEENAGE FANCLUB have evolved from ragged upstarts into seasoned melodic classicists. As the quietly spectacular Do Not Dare To Dream once again underscores their considerable gifts, Norman Blake and Raymond McGinley look back on where they’ve come from and explain why the creative spark still burns nearly 40 years on. “It just sounds like people,” finds Rob Hughes.
  • ALL THE BEST
    On the eve of what would have been his 80th birthday, friends, family and collaborators revisit The Missing Years, the comeback album that transformed JOHN PRINE from a cult singer-songwriter into a beloved elder statesman of folk and country. “There was a spark of humour in everything he did,” one collaborator tells Stephen Deusner, “but there was also a tragedy that came through so beautifully.”
  • MISSING YEARS AND SOUVENIRS
    How to buy John Prine in the 1990s
  • MORE BLESSINGS
    A new generation of fans celebrate John Prine on his birthday
  • A FABULOUS CREATION
    How do you follow one of the greatest debuts of all time? Such was the question facing ROXY MUSIC at the dawn of 1973, as they prepared to cut their second classic, For Your Pleasure. With a sumptuous new boxset digging deep into the album and the period, BRYAN FERRY looks back over a time of punishing tours, last-minute writing, countryside exile, new studios, greasy spoons, taking tea with Salvador Dalí… and the departure of Brian Eno. “I thought, ‘This is the masterwork, this is it. What can I do after this?’” he confesses to Damien Love.
  • THE IRISH ROVER
    When SHANE MacGOWAN died, Ireland came to a standstill. Now, as Bruce Springsteen and Tom Waits head up an all-star cast of musicians recording his songs for an ambitious new tribute album, we hear tales of Ireland’s great punk poet – from London’s underground scene to the byroads of Tipperary, high-end hotel lobbies and scruffy pubs. “His music was very cinematic and so was his life,” learns Peter Watts. “It was all part of his constant wave of energy.”
  • “Red Temple Prayer (Two Headed Dog)”
    After The 13th Floor Elevators and ECT, the Texan psych-rocker records a disturbing single with “the vibe of a train going off a cliff”
  • “You can dress it up as much as you want, but when you take away the wrappings we’re all bones”
    Fifty years on from SIOUXSIE & THE BANSHEES’ legendary debut at London’s 100 Club, SIOUXSIE SIOUX and STEVEN SEVERIN retrace their band’s evolution from abrasive punk outsiders to one of Britain’s most singular and influential groups. Their chosen route, however, is characteristically oblique: a journey through the B-sides collected on the Downside Up boxset, which is reissued next month. In her first major interview for more than a decade, Siouxsie reflects on autonomy, creative reinvention, inner demons and the challenge of writing again, while Severin remembers accidental masterpieces, satanic videos, pub jukeboxes and “five albums’ worth” of hidden songs. “Reappraising it, re-evaluating it, it’s a great thing to do,” Siouxsie tells Michael Bonner. “Otherwise it would be like being on a treadmill.”
  • DARK HORSE
    Solo artist. Seeker. Gardener. Film producer. Wilbury. Petrolhead. Beatle… GEORGE HARRISON contained multitudes. Twenty-five years since his death, and as a new deluxe edition of Rubber Soul showcases his growing confidence as a songwriter, Uncut asks some of George’s closest friends to celebrate (Fab) four different sides of a complex and singular man. “He lived on many levels,” discovers Rob Hughes.
  • ALL THINGS MUST PASS
    Solo artist, frontman, loyal friend: KLAUS VOORMANN reflects on George’s post-Beatles journey
  • IF I NEEDED SOMEONE
    Songwriter, guitarist, trusted ally and ready collaborator: JEFF LYNNE on George, the musician’s musician
  • THE INNER LIGHT
    Seeker, mystic, Krishna devotee, humanitarian: JIM KELTNER on George’s lifelong path to enlightenment
  • HERE COMES THE SUN
    From Friar Park to Formula One, maverick horticulturist to movie mogul: TERRY GILLIAM on George’s life beyond music
  • PENTAX MAN
    In the foreword to a new book of George’s ’60s pics, Olivia Harrison illuminates her husband’s passion for photography
  • END OF THE ROAD 2026
    Geese, CMAT, Angine De Poitrine and Pulp celebrate the 20th anniversary of the UK’s best festival
  • THE WATERBOYS FEATURING STEVE EARLE
    An inspirational evening recaptures the magical essence of the band’s agenda-broadening 1988 album Fisherman’s Blues
  • SCREEN
    A revered author’s public and private dilemmas; strangers and secrets on a Portuguese estate; a fogbound sci-fi; and more
  • SCREEN
    An ageing assassin’s last hurrah on Easter Island; shock revelations amid a dream renovation; TV ghosts reunited; more…
  • PETER ASHER: EVERYWHERE MAN
    The Beatles insider turned architect of the singer-songwriter era.
  • At the top table
    A new spin on a classic
  • Joan Shelley
    The Kentucky singer-songwriter on the records that bring her real warmth: “The infinite layers of harmonies were mesmerising”
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