In der aktuellen Ausgabe von Harpers Bazaar US

• EDITOR’S LETTER
  On LEGACY
• DANIEL CAESAR
  Introducing This Issue’s MUSIC DIRECTOR
• WHY DON’T YOU…?
  What do WOMEN of GREAT WORTH know? That while BEAUTY fades and the FEATHERS on your COUTURE may lose their FLUTTER, ACTIONS leave a LASTING IMPACT. In honor of our LEGACY ISSUE, LYNETTE NYLANDER looks to these ARBITERS of STYLE who did it BETTER than the REST. Take NOTE!
• Star POWER
  BOTTEGA VENETA has reimagined THE LAUREN, a BAG that, like the WOMAN for which it was named, remains an enduring EMBLEM of EASE and ELEGANCE
• RETURN of the FIREBIRD
  DANCE THEATRE of HARLEM revives its ICONIC PRODUCTION, including the ORIGINAL SETS designed by the late GEOFFREY HOLDER, lovingly RESTORED by HIS SON
• WHEN in ROME
  DEREK C. BLASBERG touches down in THE ETERNAL CITY and talks to fashion’s PHILOSOPHER KING, luxury maverick BRUNELLO CUCINELLI, about his new film, finding MEANING in the CHAOS of the MOMENT, and why your real LEGACY is the way you LIVE your LIFE
• SEASON of the SCARF
  GENERATIONS of WOMEN have reached for a little SILK SQUARE as an essential ACCESSORY to add POLISH and REFINEMENT. But this spring, the FOULARD gets a little FREAKY.
• The NEW SOUTH of FRANCE
  The FRENCH RIVIERA is always a good idea. VISIT in the OFF-SEASON to soak in its BUZZY CONTEMPORARY-ART SCENE sans tourists.
• Pardon My FRENCH
  The OLD HOLLYWOOD HAIR TREND making a very MODERN COMEBACK
• ONE-WOMAN SHOW
  As a WRITER and ACTOR, MICHAELA COEL has NEVER SHIED AWAY from CONFRONTING the raw, diffcult parts of her ART—or LIFE. NOW, with two new FILMS and a highly anticipated RETURN to TV, she has NEW TRUTHS to MINE and TELL.
• The STORYTELLERS
  A GREAT NOVEL can CAPTURE the ESSENCE of a MOMENT. The books of MARGARET ATWOOD, JHUMPA LAHIRI, JESMYN WARD, JOYCE CAROL OATES, and OTTESSA MOSHFEGH have all helped DEFINE OUR OWN.
• Touch WOOD
  NAKASHIMA FURNITURE is more desirable than ever. That is thanks, in part, to MIRA NAKASHIMA, who has quietly carried on her FATHER’S woodworking LEGACY for THREE DECADES, creating HER OWN alongside it.
• ARCHIVE
  CARMEN DE LAVALLADE, OCTOBER 1964