IN THE EMPATHY GAME
Sherlock’s Moriarty. Fleabag’s Hot Priest. Hamlet’s Hamlet. Ripley’s… Ripley. Andrew Scott is the shapeshifting scene stealer turned award-winning leading man, with talent and charisma to burn. Over a long lunch with Esquire, he talks love, grief, friendship, dressing like an 11-year-old and why he’d love to do a musical comedy
Peak football: Will Hersey on the greatest tournament
MEXICO 1970. SPAIN 1982. BRAZIL 2014... AS WE WAIT FOR THE EURO TO KICK OFF IN GERMANY IN JUNE, WILL HERSEY LISTS THE 11 KEY MOMENTS THAT MADE EURO 2000 UNSURPASSABLE
It’s about heart and soul
AFTER A PAINFUL EXIT FROM THE HOSPITALITY GROUP THAT FOR DECADES DEFINED STYLISH EATING OUT IN LONDON, BRITAIN’S MOST FÊTED RESTAURATEUR RETURNS TO THE FRAY WITH THREE NEW OPENINGS IN 2024
THE DEATH AND LIFE OF TOP BOY
Four months on from the spectacular conclusion to the fifth and (maybe, maybe not) final season of his acclaimed TV drama, the creator of “Top Boy” reflects on that show’s sometimes tortured inception, and what he’s learnt in three decades as a writer for movies and TV
IN THE EMPATHY GAME
Sherlock’s Moriarty. Fleabag’s Hot Priest. Hamlet’s Hamlet. Ripley’s… Ripley. Andrew Scott is the shapeshifting scene stealer turned award-winning leading man, with talent and charisma to burn. Over a long lunch with Esquire, he talks love, grief, friendship, dressing like an 11-year-old and why he’d love to do a musical comedy
Peak football: Will Hersey on the greatest tournament
MEXICO 1970. SPAIN 1982. BRAZIL 2014... AS WE WAIT FOR THE EURO TO KICK OFF IN GERMANY IN JUNE, WILL HERSEY LISTS THE 11 KEY MOMENTS THAT MADE EURO 2000 UNSURPASSABLE
It’s about heart and soul
AFTER A PAINFUL EXIT FROM THE HOSPITALITY GROUP THAT FOR DECADES DEFINED STYLISH EATING OUT IN LONDON, BRITAIN’S MOST FÊTED RESTAURATEUR RETURNS TO THE FRAY WITH THREE NEW OPENINGS IN 2024
THE DEATH AND LIFE OF TOP BOY
Four months on from the spectacular conclusion to the fifth and (maybe, maybe not) final season of his acclaimed TV drama, the creator of “Top Boy” reflects on that show’s sometimes tortured inception, and what he’s learnt in three decades as a writer for movies and TV