In der aktuellen Ausgabe von Edge (UK)

• Artificial hope
  As the first demos of AI-generated games become playable, what’s their purpose – and their cost?
• Escape artistry
  How developer NikkiJay created a game by channelling her difficult upbringing within a cult
• The Outer Limits
  Journeys to the farthest reaches of interactive entertainment
• JUMP SHIP
  Playing every role in a dynamic co-op space opera
• WILL: FOLLOW THE LIGHT
  Alone against the elements in this unconventional walking sim
• PRECIOUS CARGO
  Exploring Hideo Kojima’s new perspective as he prepares delivery of the sequel to Death Stranding
• LINKED TO THE PAST
  Hands-on with Switch 2 and the games that are leading the way for Nintendo´s new generation.
• FURY’S ROAD
  When Raw Fury was founded in Stockholm a decade ago, it was as an “un-publisher”. It would “treat people like people”, would be “for happiness over profit”, and would respect videogames as “art”, granting them the same status as other, more established media. This particular approach, it said, would tip the balance more in favour of developers, allowing them to “find success, be happy, and stay independent”.
• SPLINTER CELL: CHAOS THEORY
  How missed opportunities and difficult conditions forged a stealth classic. How Ubisoft Montreal took back the reins of "Splinter Cell" with the refined stealth of "Chaos Theory".
• HOLLOW PONDS
  A meeting in a pub led to a decades-long conversation, and games unlike any other
• Post Script
  Expedition 33’s fantasy dismantles the world, and its genre
• No More Heroes
  The anarchic Japanese vision of America that gave us videogaming’s Don Quixote