RETURN TO
WITCHES AND WIZARDS AND SEQUELS, OH MY! THE FIRST FILM SHOOK UP THE BOX OFFICE LIKE A CYCLONE — AND WICKED: FOR GOOD AIMS TO GO DEEPER AND DARKER. GET READY TO FLY, MY PRETTIES…

Re-emerging
AFTER YEARS OFF-GRID, DANIEL DAY-LEWIS HAS RETURNED TO CINEMA IN ANEMONE, A BRACING DRAMA DIRECTED BY HIS SON, RONAN. WE MEET THEM TOGETHER IN NEW YORK THEIR TO UNPACK UNIQUE COLLABORATION

In Ausgabe 011/2025 von Empire (UK)

THE FAST SHOW
STEPHEN KING’S STORY THE RUNNING MAN IS ABOUT A GUY RISKING HIS LIFE ON LIVE TV. AND, AS THE ALWAYS KINETIC EDGAR WRIGHT AND HIS QUICK-WITTED CAST TELL US, THEIR NEW SPIN ON IT HAS NO INTENTION OF STANDING STILL

RISING UP
HE’S CEMENTED HIMSELF AS ONE OF THE MOST EXCITING ACTORS AROUND. NOW, AS HARRIS DICKINSON UNVEILS HIS DIRECTORIAL DEBUT, HE TELLS US WHY HE KEEPS PUSHING THINGS FORWARD

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A TRIP TO THE MOON
NOBODY MAKES CINEMA LIKE JAMES CAMERON. AND TO PROVE IT, HE INVITES EMPIRE TO SHADOW HIM FOR 48 HOURS AS HE COMPLETES HIS MOST AMBITIOUS MOVIE YET: AVATAR: FIRE AND ASH. HOLD ON TO YOUR IKRAN…

THE VISITOR
WHY NOT QUITE FITTING IN HAS PAID OFF FROM RYE LANE TO ALIEN: ROMULUS AND BEYOND, DAVID JONSSON HAS CAPTIVATED US WITH HIS UNIQUE, ENIGMATIC PRESENCE. NOW, AS HE STARS IN THE LONG WALK, HE TELLS US

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OFF GRID
IN TRON: ARES, THE PROGRAMS BREAK OUT OF THE COMPUTER AND ONTO THE STREETS. WE GO ON SET TO SEE HOW THE PIONEERING SCI-FI FRANCHISE IS GETTING REAL

BREAKING THE SOUNDBARRIER
THEY REVOLUTIONISED THE FILM-SCORE LANDSCAPE. NOW, AS NINE INCH NAILS TAKE ON TRON: ARES, TRENT REZNOR AND ATTICUS ROSS TELL US HOW THEY’RE SHAPING THE FUTURE

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